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  After the death of the last Medici, Grand duke Gian Gastone,
				the important European countries in Vienna decided to give
				Tuscany to Francis I duke of Lorraine (french-austrian dynasty).
				He was succeded by Peter Leopold I, Ferdinando II, Ferdinando
				III, finally by Leopoldo II. With the arrival of the Lorraine family in Florence revives the
				town's economy, it unfortunately also accentuates its provincial
				mentality which prevents Florence from participating in
				international cultural expansion and the consequences for the
				town last, strangely, for a long while.
 The techniques of Ammannati and Buontalenti greatly influence
				architecture: this is seen in the works of Pierfrancesco Silvani
				(Palazzo Corsini), Foggini, (Palazzo Viviani della Robbia, in Via
				Tornabuoni, the Corn Warehouse in Piazza Cestello) and, at the
				turn of the 18th Century, Ruggieri (facade of San Firenze
				church). In the mid-18th Century, when international culture is
				once again more open to discussion, the Lorraines called the
				Frenchman Jadot to Florence for their neo-Classical arches.
				Neo-classicism in Florence is of strong historical flavour, good
				taste and elegance (the little Meridiana palace in Boboli, the
				White Room in Palazzo Pitti, the
				Niobe Room in the Uffizi gallery
				and the facade of the Villa Poggio Imperiale by Gaspare Maria
				Paoletti).
 Meanwhile Baccani restores the Teatro della Pergola. The Livia palazzina in
				Piazza San Marco (1775) seems to reproduce a town version, in
				miniature, of the style of the villas and 19th Century country
				houses which invade Florence during the Napoleonic period, when
				great urbanistic expansion was underhand. Via Larga is
				lengthened, two new bridges are built and the roads along the
				Arno banks (Lungarni) are extended beyond the city walls, whilst
				the poor districts become more and more built-up.
 When Leopold II of Lorraine again gained control of the town,
				assisted by the Austrian troops, in an atmosphere of imminent
				social crisis and flare-up of class warfare, the ideals of beauty
				and elegance of the neo- classical period are substituted by the
				enlightening theory and hope in the return to nature and the
				liberty of mankind.
 The increasing contrast between the expansion of the new
				residential districts near the city walls and the disquieting
				continual increase in the number of people living in the poor
				quarters (in 1835 an epidemic broke out in the area around the
				Old Market place), are the main cause of social warfare and
				revolutions, whilst the birth of industrial economy emphasizes
				the problem of the working classes' conditions.
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