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	| 12. The Seventeenth Century and the Last Medici |  |  
 
		
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  Ferdinando I (1587-1609) continued his father's policy and
				succeeded in strengthening the grand duchy, maintaining a
				difficult equilibrium between France and Spain. Signs of
				decadence became more obvious under the government of these two
				sons of Cosimo I's and were accellerated in the 17th century.
				Florence was still a great city, but its territory was small and
				it could certainly not compete with the great and powerful
				centralized states. Economically the situation had also changed.
				Trade and manufacturing were on the decline and, at least up to
				the end of the 16th century, only banking was still carried out
				on a European level, but in the end that too declined. The efforts of
				the grand ducal governments to give new life to business by
				developing the port of Livorno and the founding of the military
				order of Saint Stephen for the protection of the Florentine navy
				from the "barbareschi" were to no avail. On the
				contrary agriculture grew in importance in Tuscany and in the
				second half of the 16th century large reclamation projects were
				undertaken in various parts of the region. Ferdinando I was succeeded by the "weak and sickly"
				Cosimo II (1609-1621) who died leaving the government in the
				hands of his wife Maria Magdalena of Austria and his mother
				Christine of Lorraine. In 1628, when the period of the regency
				came to an end, Ferdinando II mounted the throne and reigned
				until 1670. Even though he was reputed to be "among the best
				of the Medici dynasty", he could do nothing to arrest the
				inexorable decline of Florence and of the Tuscany of the grand
				dukes. Nor could his successors, Cosimo III (1670-1723) and the
				last of the Medici dynasty, Gian Gastone, who died without heirs
				in 1737. Even so, as far as culture was concerned, the city, by
				now condemned to a provincial role, still displayed a certain
				vitality which expressed itself in the field of music
				(melodramma, with the famous "Camerata
				di casa Bardi", was born in Florence at the end of the
				16th century) and in the phenomenon of the Academies. From the
				late 16th century on and throughout the 17th century numerous
				academies of pure literature came into being. The Accademia della
				Crusca whose principal labor was the compilation of the
				Dictionary, the first edition of which appeared in 1612, was
				founded in 1582. Of great importance for the sciences was the
				activity of the Accademia del Cimento, founded by Leopoldo de'
				Medici in 1657 and sustained by his brother, the reigning
				Ferdinando II. Both were pupils of Galileo, the only man of
				genius the 17th century produced in the grand duchy.
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