The Romanelli
Gallery was founded in 1860
in sight of the Ponte Vecchio.
The Romanelli
family, who has managed the Gallery for now four
generation, has taken care of its inherited
tradition, ensuring the continuing realization of
great works of sculpture in marble, from the
small to the monumental. Bronzes, cast in the
traditional Lost Wax Method using models of
esteemed beauty; objects such as obelisks, vases,
columns, fireplaces, fountains are all reproduced
respecting traditional forms and harmonies of
proportion from the past. New designs too are
executed always in the search for elegance.
The
Gallery has a vast array of sculptures in marble
and bronze, besides there being columns and small
objects in marble and semi-preciuos stones;
tables in Scagliola and in mosaics of
semi-precious stones. An important part of the
Romanelli tradition has been the ability to
satisfy the specific demands of its clients,
whether they be orders for tables, sculptures,
fountains, or bronzes; all work executed by
selected, able artists and artisans.
The marble
reproductions of classical works are sculptured
in our own studio, following the ancient
techniques used by the Romans in their
reproductions of Greek works. |
In the past, the
first to request copies of famous antique
statues, and those of contemporary artists, such
as Canova, was Elisa Bonaparte, who had a
flowering trade between Carrara and Paris.
Carrara was an international market wich supplied
England, Russia and other countries; the demands
of the Tsarist princes and the English
aristocracy seemed to have no limits.
It
was not long before Florence took the place of
Carrara. In the city of Florence, famous for its
art,
flourished a
school of sculptors who opened galleries, upon
which they bestowed their names. Often a brother
busied himself with the running of the commercial
side of the gallery, receiving commissions for
what were either original works (portraits,
monuments etc...) or copies of known pieces. One
of these firms was founded in 1860 by Pasquale
Romanelli, an ancestor of the present
family-owners, and apprentice to the great
Bartolini.
The
luck of these sculptors lasted until the great
crisis of 1929 which spelt the end for this
activity, leaving only two or three survivors,
who staggered along until the Second World War.
In 1949 however Romanelli re-opened the
business, starting with little space, and few
statues. After a few years the Gallery returned
to its fluorishing state, and together with its
studio in Florence, regained its fame. Italian,
French, English and American journalists wrote
articles on the Gallery for newspapers such as
"The New York Times", and columns were
published in home-furnishing and travel
magazines.
Today
the Gallery is still under the management of
Folco Romanelli, being a sculptor himself, have the unique
and inherited ability of choosing the most
suitable sculptors for their studio in
Pietrasanta, close to Carrara. Some of the
original models remain at the Florentine studio,
which unfortunately had to close, but most were
moved to the work-shop at Pietrasanta. |